It was adapted by Robert L. Freedman and directed by Robert Iscove, with choreography by Rob Marshall, and was produced by Whitney Houston and Debra . . All of these elements make watching or re-watching the film incredible, but a deeper look reveals a main reason why it was enchanting to begin with: The whole film is refreshingly diverse. [94][99][131] The Daily Telegraph deemed the 1997 adaptation "The final of the trio of classic Cinderella remakes". No returns, but backed by eBay Money back guarantee. [16] The day after Gypsy's original broadcast, Whitney Houston's agent Nicole David asked the producers if they were interested in developing a similar project starring her client,[17][18][19] to whom they suggested Cinderella with Houston playing the titular role. [92], Shortly after the film's premiere, audiences soon began demanding a swift home video release, which the studio soon began bringing to fruition. [20] Houston explained that by the time she became a wife and mother, she was not "quite feeling like Cinderella" anymore, believing that portraying the ingenue would require significant "reaching" for herself as an actress. 17. At Lionel's suggestion, Constantina and Maximillian compromise that should Christopher not be successful in choosing a bride at the ball, he be allowed to find one on his own terms. [37] Meanwhile, the villagers' costumes range in style from "nineteenth-century peasant chic to '40s-esque brocade gowns with exploding collars, bustles, and ruffles. Based on Charles Perrault 's 1697 fairy tale of the same title, it is the 12th Disney animated feature film. Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother. Worldwide$10,000,000. Get it by Sat, Jan 14 - Wed, Jan 18 from Halltown, Missouri. Order of credits adapted from Variety magazine and the British Film Institute:[2][3], Rodgers & Hammerstein's Cinderella was the third screen version of the musical. [12] Meron believes that the organization was so open due to Houston's involvement, explaining, "Whitney was so huge at that time; to a lot of executives she was popular entertainment as opposed to being defined by her race. [109] Harlene Ellin of the Chicago Tribune wrote that, despite its aesthetics and color-blind casting, the film "lacks the requisite charm and spark", concluding that the production "doesn't capture the heart" despite its beauty. [66] Highlighting the performances of Montalbn, Peters and Houston, Entertainment Weekly ranked Rodgers & Hammerstein's Cinderella the fourth greatest adaptation of the fairy tale, ahead of both the 1965 (10th) and 1957 (sixth) versions, with author Mary Sollosi calling it one of "the 11 best-known film adaptations of the tale". [29] The remake reflected a changing society,[27] containing themes discussing self-reliance and love. Adapted from Oscar Hammerstein II's book, Freedman modernized the script to appeal to more contemporary audiences by updating its themes, particularly re-writing its main character into a stronger heroine. [42][52] She advises her own daughters about love and relationships,[52] warning them not to confuse love with marriage. [49] Although well-received by audiences,[27] Cinderella premiered to generally mixed reviews from most critics,[89][98][99][100] who were critical of some of its songs, cast and feminist approach,[34][41] at times deeming it inferior to the 1957 and 1965 versions. Back at their own home, Cinderella wishes to attend the ball herself, but her stepmother ridicules the idea, advising her that a prince would never be interested in her and to remain grateful for her current life. [115] Rodgers & Hammerstein's Cinderella was the 13th most nominated program at that year's ceremony. [82] At the 50th Primetime Emmy Awards in 1998, the film was also nominated for Outstanding Art Direction for a Variety or Music Program, Outstanding Choreography, Outstanding Costume Design for a Variety or Music Program, Outstanding Directing for a Variety or Music Program, Outstanding Hairstyling for a Miniseries, Movie or a Special, and Outstanding Music Direction, ultimately winning one for Outstanding Art Direction for a Variety or Music Program, which was awarded to Julie Kaye Fanton, Edward L. Rubin and Randy Ser. "[137] Following its success, Disney considered adapting the fairy tale "Sleeping Beauty" into a musical set in Spain featuring Latin music, but the idea never materialized. Cinderella (Signature Edition) (10,859) 7.3 1 h 14 min 1950 X-Ray G. Beloved by generations of fans, Disney's timeless classic Cinderella is now part of the Walt Disney Signature Collection and the prestigious National Film Registry. Budget $95,000,000. [41] Matthew Gilbert of The Boston Globe complained that despite its "visual charm" and strong performances, the film lacks "romance, warmth, and a bit of snap in the dance department", failing to become "anything more than a slight TV outing that feels more Nickelodeon than Broadway. [55] Various elements from Freedman's script were incorporated into the 2000 national tour of Cinderella,[126] which is considered to be the first time the musical was adapted into a legitimate Broadway-style production. Synopsis: After her marriage to a wealthy businessman (Alec Baldwin) collapses, New York socialite Jasmine (Cate Blanchett) flees to San Francisco. [19][24][25] Houston believed that Brandy possessed the energy and "wonder" to play Cinderella convincingly, admitting that their fictional relationship as godmother and goddaughter translates "well on-screen because it starts from real life";[4] when Houston telephoned Brandy to offer her the role, she introduced herself as her fairy godmother. "[37] A writer for Newsweek believed that Brandy's Cinderella falling in love with a non-Black prince reflects "a growing loss of faith in black men by many black women", explaining, "Just as Brandy's Cinderella falls in love with a prince of another color, so have black women begun to date and marry interracially in record numbers. [38] Cinderella has a conversation with the prince in which she explains that a woman should always be treated "like a person. Disney's recent streak continued over the weekend with the $70.1 million North American debut of its traditional, sumptuously costumed fairy tale adaptation "Cinderella," according to studio . [16] Houston arrived at the reading several hours late, by which time some of the actors had grown frustrated and weary. Office Lighting . Describing it as "effortlessly, even unintentionally, progressive", Thomas wrote that the film "forecast a world with far more possibility; it's a film made for the future. Co-produced by Whitney Houston, who also appears as Cinderella's Fairy Godmother, the film stars Brandy in the titular role and features a racially diverse cast consisting of Jason Alexander, Whoopi Goldberg, Bernadette Peters, Veanne Cox, Natalie Desselle, Victor Garber and Paolo Montalban. Pertarungan tinju perwakilan dari Indonesia seperti Daud Yordan, Ongen Saknosiwi, dan lainnya (bersama iNews dan web- app Vision+ serta RCTI+) "[12] Towards the end of filming, the producers realized that they did not have enough money to pay for extras and additional costs, and Disney refused to loan any more money to the production. Cinderella grows dismayed and wishes to leave when the King and Queen ask her about her background, but her Fairy Godmother encourages her to stay. [16] In a final attempt to earn Houston's approval, Meron and Zadan enlisted Broadway actors to perform a read-through for the singer, namely La Chanze as Cinderella, Brian Stokes Mitchell as the prince, Theresa Meritt as the Fairy Godmother and Dana Ivey as the Stepmother. The special will reunite some of the original members of its heavy-hitting cast, including Brandy, Whoopi Goldberg, Paolo Montalban, Victor Garber, Bernadette Peters, Jason Alexander and Veanne Cox. With Brandy Norwood, Bernadette Peters, Veanne Cox, Natalie Desselle Reid. "[16] Similar to the film, the stage adaptation has consistently demonstrated color-blind casting. In 2014, actress Keke Palmer was cast as Cinderella on Broadway, becoming the first Black actress to play the role on Broadway. [9], In his book The Cambridge Companion to the Musical, author Nicholas Everett identified Rodgers & Hammerstein's Cinderella among important television musicals that "renewed interest in the genre" during the 1990s,[54] with Playbill recognizing it as "the resurgence of televised movie musicals". "[26] Company alumna Veanne Cox and television actress Natalie Desselle, respectively, were cast as Cinderella's stepsisters. However, she called Montalban "perfectly charming" and "The real fairy tale". [15], The diversity of the cast prompted some members of the media to dub the film "rainbow 'Cinderella'",[13][103][112] Laurie Winer of the Los Angeles Times summarized that the film's cast "is not just rainbow, it's over the rainbow", observing that "the black queen (Goldberg) and white king (Victor Garber), for instance, produce a prince played by Filipino Paolo Montalban" while "Cinderella withstands the company of a white stepsister (Veanne Cox) and a black one (Natalie Desselle), both, apparently, birth daughters of the mother played by Bernadette Peters. 'Cinderella' Producers Hope Valentine's Day Rebroadcast Hits Big", "Flashback: With Whitney Houston on the 1997 Set of 'Cinderella', "The Cast Of 'Rodgers & Hammerstein's Cinderella' Movie: Where Are They Now", "On the Tube Rodgers and Hammerstein's "Cinderella", "That 1997 'Cinderella' with Whitney Houston and Brandy is the best live-action princess remake", "Cinderella (1997) - Cinderella: the best film versions", "Cinderella's a Sistah Whitney Houston & Brandy Work Multi-culti Magic on TV", "Brandy Tells All: The Stories Behind Her Classic Records", "Brandy gets back in game after sad loss", "10 Things You Didn't Know About Disney's Cinderella", "How Modern Cinderella Adaptations Have Given The Tale's Outdated Feminism A Makeover", "Happy Anniversary, Cinderella.. Times Two! ''[20] James also believes Hammerstein would have approved of the color-blind casting, claiming he would have asked why the process took as long as it did. [58] Brandy learned to waltz for the role,[32] a task which took her two weeks to perfect. Anak-anak. Comparisons: vs. Beauty and the Beast. They save the original sound while updating it. [12] Further development was inspired by the success of CBS' adaptation of the stage musical Gypsy (1993) starring Bette Midler which,[13][14] in addition to being credited with reviving interest in the genre,[14] Zadan and Meron had also produced;[15] CBS executive Jeff Sagansky asked Zadan and Meron to start brainstorming ideas for a follow-up shortly after Gypsy premiered. Rodgers & Hammerstein's Cinderella (also known as simply Cinderella)[1] is a 1997 American musical fantasy television film produced by Walt Disney Television, directed by Robert Iscove and written by Robert L. Freedman. [4][19] The film has a total of five executive producers: Houston, Chase, Zadan, Meron and David R. [25] Furthermore, the writer opined that future live-action remakes should watch Cinderella for reference. You might also like See More Riding High. [12] The idea to remake Cinderella for television a second time originated as early as 1992, at which time producers Craig Zadan and Neil Meron first approached the Rodgers & Hammerstein Organization about obtaining the screen rights to the production. "[145] Fuse TV dubbed Brandy's performance as Cinderella "iconic" and "arguably the most groundbreaking portrayal at time," inspiring the character to become more diverse in the following years. [17][19] Zadan explained that, because of her popularity, Houston "had so many other concrete things that she was doing that 'Cinderella' took a back seat". "[37] Attempting to eliminate the element that Cinderella is simply waiting to be rescued by the prince, Freedman explained, "I'm not saying that it's the most feminist movie you'll ever see, but it is compared the other versions. Cinderella (Brandy) chafes under the cruelty of her wicked stepmother (Bernadette Peters) and her evil stepsisters, Calliope (Veanne Cox) and Minerva (Natalie Desselle), until her Fairy Godmother (Whitney Houston) steps in to change her life for one unforgettable night. [45] Peters' stepmother was adapted into a more comical version than previous incarnations of the character due to the actress' comedic background. [135] On August 23, 2022, the cast once again reunited for a television special Cinderella: The Reunion, A Special Edition of 20/20, which was followed by an airing of the film, the first time it has aired on broadcast television in over two decades. ", "From Hilary Duff to Brandy: The Top 7 Cinderella Movies", "Watch Rodgers & Hammerstein's Cinderella cast reunion with Brandy, Whoopi Goldberg, and more: 'It was a game changer', "A 25th anniversary special for the Brandy Rodgers & Hammerstein's Cinderella will air on ABC", "How a PR problem led to Disney's first Latina princess, "Elena of Avalor", "Keke Palmer Makes History Again As The First Black Cinderella On Broadway! [36] The producers agreed to finance the remainder of the project using their own money, while Goldberg volunteered to donate the rest of her daily salary to completing the production. [12] The New York Daily News journalist Denene Millner observed that although the remake is "not all that different from the original", its version of Cinderella is more outspoken, the prince is more interested in finding someone he can talk to as opposed to simply "another pretty face", as well as "a hip fairy godmother who preaches self-empowerment" as a result of its "'90s flair". [67] Cinderella's "glass slippers" were made of shatterproof acrylic as opposed to glass, and only one pair was designed to fit Brandy's feet; the shoe the prince discovers and carries on a pillow in search of its owner was designed to be extremely small in order to give it the appearance of being "incredibly delicate", with Iscove describing it as "too small for any human" foot. Cinderella's stepfamily including the Stepmother tries on the slipper with little success. [42] Describing herself as familiar with the "flavor" of Rodgers and Hammerstein's material, Houston opted to perform their songs simply as opposed to her signature pop, R&B or gospel approach. Yusof (lahir 14 Julai 1971) atau lebih dikenali sebagai Eizlan Yusof merupakan seorang pelakon dan pengarah Malaysia. Now, the 1997 live action remake of Cinderella, starring Brandy and Whitney Houston, is finally available for streaming, thanks to Disney+. [25] In an article for HuffPost, contributor Isabelle Khoo argued that despite the constant remakes that Hollywood produces "no fairy tale adaptation has been more important than Rodgers and Hammerstein's 'Cinderella. 16. '", citing its diverse cast, combating of sexist stereotypes often depicted in other Disney films, and empowering themes that encourage children to make their own dreams come true as opposed to simply "keep on believing" among "three important reasons the 1997 version has maintained relevance today. In addition to Cinderella herself, Mirojnick costumed all female guests attending the prince's ball in various shades of blue, ranging from aqua to sapphire;[49] Meron believes that Mirojnick's use of color in the characters' costumes distracts from the various skin colors of the film's actors. [74] One of ABC's promotional advertisements for Rodgers & Hammerstein's Cinderella featured a black-and-white scene from the original 1957 broadcast in which Andrews sings "In My Own Little Corner", which transitions into Brandy singing her more contemporary rendition of the same song, its "funkier orchestration" sounding particularly noticeable opposite Andrews' original. [113] Rodgers & Hammerstein's Cinderella was nominated for seven Primetime Emmy Awards,[18][114] including Outstanding Variety, Music or Comedy Special.
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